The name changes; the address remains · Elias Thorn Site: Elias Thorn / Shelter Source: https://elias-thorn.com/en/rooms/records/dante-changing-name/ Language: en Reuse: Retain the source URL and existing author credits. The site is the distribution source, not necessarily the original author or rights holder. Scope: Public HTML text at build time. Interactive content, media and private records are not included. The name changes; the address remains Dante · Paradiso XXVI.124–138 124 The language I spoke had died out completely 125 before the people of Nimrod turned 126 to the work that could never be completed: 127 for no product of reason 128 has ever endured forever, because human preferences change, 129 following the heavens. 130 It is natural for a human being to speak; 131 but whether in this way or that, nature leaves 132 you to do as you please. 133 Before I descended into the anguish of hell, 134 “I” was the earthly name of the highest good, 135 from which comes the joy that surrounds me; 136 later it was called “El”; and that is fitting, 137 for the custom of mortals is like a leaf 138 on a branch: one departs and another comes. Italian original · lines 124–138 124 La lingua ch’io parlai fu tutta spenta 125 innanzi che a l’ovra inconsummabile 126 fosse la gente di Nembròt attenta: 127 ché nullo effetto mai razïonabile, 128 per lo piacere uman che rinovella 129 seguendo il cielo, sempre fu durabile. 130 Opera naturale è ch'uom favella; 131 ma così o così, natura lascia 132 poi fare a voi secondo che v'abbella. 133 Pria ch’i’ scendessi a l’infernale ambascia, 134 I s’appellava in terra il sommo bene 135 onde vien la letizia che mi fascia; 136 e El si chiamò poi: e ciò convene, 137 ché l’uso d’i mortali è come fronda 138 in ramo, che sen va e altra vene. Reading notes In this scene, Adam answers Dante’s question about his language. The poem distinguishes the human ability to speak from the changing words people use. Even the name of the highest good is subject to changing custom. The poem distinguishes the capacity for speech from historically changing languages. Adam’s answer belongs to the world of the poem; it does not by itself establish the history of human language. All 15 lines of the selected passage: Paradiso XXVI.124–138. A working literal translation from Italian, without reproducing the rhyme or metre. I and El follow the Italian text. This translation has not received independent philological review. Publication date not recorded Open source ↗ (https://it.wikisource.org/wiki/Divina_Commedia/Paradiso/Canto_XXVI) Princeton Dante Project · lines 133–138 (https://dante.princeton.edu/cgi-bin/dante/DispPoemByTitle.pl?LINE=133-138&SECT=XXVI&TITLE=Par) Related traces Are you Elijah? · Three Gospel testimonies (https://elias-thorn.com/en/rooms/records/garden-elijah-name-and-role/)Room for corrections (https://elias-thorn.com/en/rooms/records/portrait-with-corrections/)